Bibliographie

  • BADEA-PAUN, Gabriel, “Les portraitistes ‘whistlériens’ aux Salons de la Société nationale des Beaux-Arts, 1890-1903”, Bulletin de la Société de l’Histoire de l’Art Français, 2009, pp. 300-321.
  • BALDRY, Alfred Lys, “James McNeill Whistler. His Art and Influence”, The Studio, n°126, vol. 29, September 1903, pp. 236-245.
  • BUHOT, Félix (pseud. Pointe Sèche), “Le whistlérisme et le pissarisme à l’exposition des XXXIII”, Le Journal des arts, 13 January 1888, p. 1.
  • BROCKINGTON, Grace, Internationalism and the Arts in Britain and Europe at the Fin de Siècle, Oxford, Peter Lang, 2009.
  • DAYAN, Peter, Art as Music, Music as Poetry, Poetry as Art, from Whistler to Stravinsky and beyond, Farnham, Ashgate, 2001.
  • DE KAY, Charles, “Whistler, the Head of the Impressionists”, Art Review, November 1886, p. 1.
  • ENAUD-LECHIEN, Isabelle, Exposer / s’exposer : Edgar Degas et James McNeill Whistler médiateurs de leur art, Paris, Mare & Martin, 2023.
  • FOWLE, Frances, “The butterfly’s disciples”, Art History, n°33, 2010, pp. 549-551.
  • From realism to symbolism: Whistler and his world, exhibition catalogue, Wildenstein, New York, 4 March-3 April, 1971, Philadelphia Museum of art, 15 April-23 May, 1971, New York, Columbia university, 1971.
  • MACDONALD, Margaret F. (sous la dir.), The woman in white: Joanna Hiffernan and James McNeill Whistler, London, Royal Academy of Arts, 23 February-23 May 2022, Washington, National Gallery of Art, 3 July 10 October 2022, Washington, National Gallery of Art, Londres, Royal Academy of Art, 2022.
  • MACDONALD, Margaret F., MONTFORT, Patricia de, An American in London: Whistler and the Thames, London, Dulwich Picture Gallery, 16 October 2013-12 January 2014, Andover, Addison Gallery of American Art, Philips Academy, 1 February-13 April 2014, Washington, Freer Gallery of Art, Smithsonian Institution, 2 May-17 August 2014, London, Philip Wilson, 2013.
  • MACDONALD, Margaret F., PETRI, Grischka, James McNeill Whistler: The paintings, a catalogue raisonné, University of Glasgow, 2020, online: http://whistlerpaintings.gla.ac.uk.
  • MALLARMÉ, Stéphane, “Le Ten O-Clock de M. Whistler”, La Revue indépendante, Paris, 1888, pp. 203-229.
  • MERRILL, Linda, A Pot of Paint: Aesthetics on Trial in Whistler v. Ruskin, Washington & London, Smithsonian Institution Press, 1992.
  • RIBEYROL, Charlotte. “Swinburne-Whistler: Correspondance(s)”, Études anglaises, vol. 57, no. 1, 2004, pp. 63-78.
  • ROBINS, Anna G., A Fragile Modernism: Whistler and his impressionist followers, New Haven; London, Yale University press, Paul Mellon Center, 2007.
  • The Correspondence of James McNeill Whistler, 1855-1903, edited by F. MacDonald, Patricia de Montfort, Nigel Thorp, on-line edition, University of Glasgow: http://www.whistler.arts.gla.ac.uk/correspondence
  • VALETTE, Laura, Le ‘whistlérisme’, 1878-1914, thèse de doctorat sous la direction de Pierre Wat, Paris 1 Panthéon-Sorbonne, 2020.
  • WHISTLER, James Abbott McNeill, Whistler versus Ruskin, Art and Art Critics, London, Chatto & Windus, 1878.
  • WHISTLER, James Abbott McNeill, Mr. Whistler’s Ten O’Clock, London, Chatto and Windus, 1888.
  • WHISTLER, James Abbott McNeill, The Gentle Art of Making Enemies, London, W. Heinemann, 1890.
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